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When you’re excluding people, mathematically, that just doesn’t make sense.” To have the right to say: ‘hey, we had the world come in and we found the right person.’ That’s always been my M.O with Fast. I’ve always felt like diversity is not me going: ‘I need an Asian for this role.’ It’s like, ‘No man, that’s not what diversity is about.’ It’s about creating an environment to let the best person grab that role. But there’s some fucked up people here that are just able to use the right buzzwords. “Hollywood is supposed to be this enlightened place,” Lin recently told Esquire, “and there are great people here, sure. Lin has now returned to the director’s chair with F9 and has spoken candidly about how the industry is still often struggling on a blockbuster scale to create a more inclusive space.
#Khatrimaza hollywood movies fast and furious 7 series#
He stepped into the series when it was on the brink of going direct-to-video with Fast and the Furious: Tokyo Drift (part 3) and led it to new heights over an initial tenure which lasted four films. And the director most credited with the franchise’s success remains Justin Lin, who elevated the series from mid-level Hollywood entertainment in the 2000s to a billion-dollar phenomenon.
Of the nine mainline movies, only one has been directed by a white man-Rob Cohen, who helmed the original film way back in 2001. As a member of the audience, you realize you can be a member of that ‘family.’ That’s the beautiful thing about how the franchise has evolved.”Īdditionally, it’s a franchise which has actually cultivated diverse talent behind the camera as well. Star Diesel told Entertainment Weekly at the time, “It doesn’t matter what nationality you are. According to the news organization, the film’s audience was one of the few American blockbusters which had a majority non-white makeup: 37 percent of the filmgoers were reportedly Latinx 25 percent were white 24 percent were Black and 10 percent were Asian.
#Khatrimaza hollywood movies fast and furious 7 movie#
When it came out in 2015, CNNand other outlets also took notice of how the movie appealed so much more broadly across multiple demographics than typical superhero movies of the era. That film starred series mainstays Vin Diesel and Paul Walker (in the latter’s last performance), as well as an ensemble which included Michelle Rodriguez, Dwayne Johnson, Gibson, Ludacris, Jordana Brewster, Nathalie Emmanuel, and Elsa Pataky. Whether Fast and Furious deserves credit for actually changing minds in Hollywood, it certainly got studio executives’ attention when Furious 7 became the first entry in the series to gross more than $1 billion (its final total was over $1.5 billion).
And it built that popularity with a diverse cast from at least the second film-where Tyrese Gibson and Ludacris joined the first movie’s Paul Walker-creating a more inclusive identity for audiences a decade before Marvel Studios’ Phase Two remained still mostly dominated by white talent in front of and behind the camera. Not based on a comic book, 1990s animated film, or space opera from 50 years ago, Fast and Furious made the unlikely journey from a B-action movie with a budget of $38 million to a billion-dollar franchise where new installments cost upwards of $250 million. It also brings sharp attention to the unique vitality of the Fast and Furious franchise.Īs a series sometimes written off as the silly blockbuster franchise where Dwayne Johnson once threw a torpedo into a submarine, the “Fast Saga” is actually the rare thing in Hollywood: an original property. Indeed, it is very interesting to consider, particularly on the social media platform which has become famous for dictating the direction of “discourse” around popular media on any given day. It punches in the beliefs of both conservative and liberal commentators.” But even if it’s just a commonly held belief at the top levels, it’s interesting to consider. “I had a very powerful Hollywood insider say that the success of the Fast and Furious franchise had a bigger effect on movie casts getting diversified than ‘all the social media complaints combined,’” Simone wrote. Over the weekend, comic book writer Gail Simone shared an interesting anecdote on Twitter about Hollywood, the industry’s growing need for inclusion, and the Fast and Furious movies.
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